The instant Sunday Times bestseller 'This is the work of an American master at the peak of his powers' — Financial Times An enthralling and ferociously funny reimagining of Mark Twain’s The Adventures of Huckleberry Finn, told from the perspective of the enslaved Jim. Written by Booker Prize-shortlisted Percival Everett, his novel Erasure is now released as the critically acclaimed and Oscar-winning film American Fiction. The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise. With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair must face the most dangerous odyssey of them all . . . From the shadows of Huck Finn’s mischievous spirit, Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins. 'James has the potential to become a classic . . . thrilling, bold and profound' — The Sunday Times 'Gripping, painful, funny, horrifying . . . a consummate performance to the last' — The Observer ‘Both a page-turner and a profound meditation on the ramifications of slavery and self-hood . . . Luminous’ — TLS
Percival Everett is the author of over thirty published works, including Zulus, Erasure, I Am Not Sidney Poitier, Assumption, Percival Everett by Virgil Russell, Telephone, The Trees, Dr. No and James. A Guggenheim Fellow and Pulitzer Prize Finalist, Everett has won the PEN Oakland/Josephine Miles Literary Award, the Academy Award in Literature, the Bollinger Everyman Wodehouse Prize for Comic Fiction, and the Windham-Campbell Literature Prize for Fiction. In 2022, The Trees was shortlisted for the Booker Prize. Percival Everett lives in Los Angeles, CA, where he is Distinguished Professor of English at the University of Southern California.
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Review
A captivating response to Mark Twain’s classic that is both a bold exploration of a dark chapter in history and a testament to the resilience of the human spirit -- The 2024 Booker Prize Judges
I’m demanding that you read Percival Everett’s novel James, in which Everett takes the camera from Twain’s Huck Finn and hands it to the slave, Jim. Truly extraordinary books are rare, and this is one of them -- Roddy Doyle, Booker Prize-winning author of Paddy Clarke, Ha Ha Ha
This is the work of an American master at the peak of his powers ― Financial Times
James has the potential to become a classic . . . thrilling, bold and profound ― The Sunday Times
James is funny and horrifying, brilliant and riveting. In telling the story of Jim instead of Huckleberry Finn, Percival Everett delivers a powerful, necessary corrective to both literature and history. I found myself cheering both the writer and his hero. Who should read this book? Every single person in the country -- Ann Patchett, bestselling author of Tom Lake
Percival Everett is a giant of American letters, and James is a canon-shatteringly great book. Unforgiving and compassionate, beautiful and brutal, a tragedy and a farce, this brilliant novel rewrites literary history to let us hear the voices it has long suppressed -- Hernan Diaz, Pulitzer Prize-winning author of Trust
Pure brilliance. Funny, wise, gracious; this may be Everett's best book yet -- Bonnie Garmus, bestselling author of Lessons in Chemistry
Gripping, painful, funny, horrifying . . . a consummate performance to the last ― The Observer
Both a page-turner and a profound meditation on the ramifications of slavery and self-hood . . . Luminous ― TLS
A classic novel overhauled by a modern master ― The Daily Telegraph
Percival Everett is an essential writer and James may be his greatest novel yet ― i
Fantastically entertaining . . . James’s solo adventures take on a life that doesn’t so much rival the original [The Adventures of Huckelberry Finn] as defiantly stand alone ― Daily Mail
A sharp novel . . . You may think you know Huck Finn’s story but this version breathes new life into it with unexpected twists and turns making it a must-read. ― Daily Mirror
Majestic . . . [James] is Everett’s most thrilling novel, but also his most soulful ― The New York Times
American literature’s philosopher king ― and its sharpest satirist ― The New Yorker
[An] ingenious retelling of The Adverntures of Huckleberry Finn . . . Everett has outdone himself -- Publishers Weekly (Starred Review)
The audacious and prolific Everett dives into the very heart of Twain's epochal odyssey -- Kirkus (Starred Review)
An absolutely essential read -- Booklist (Starred Review)
Clever, soulful, and full of righteous rage . . . James is destined to become a modern classic ― Esquire.com
To call James a retelling would be an injustice. Everett sends Mark Twain’s classic through the looking glass. What emerges is no longer a children’s book, but a blood-soaked historical novel stripped of all ornament . . . Genius ― The Atlantic
‘[A] careful and thought-provoking auditing of The Adventures of Huckleberry Finn . . . broadening our understanding of an endangered classic by bringing out the tragedy behind the comic façade ― The Wall Street Journal
In a fever dream of a retelling, the new reigning king of satire, Percival Everett, has turned one of America's best loved classics, The Adventures of Huckleberry Finn, upside down . . . a startling homage and a new classic in its own right ― NPR.org
Heir to Mark Twain’s satirical vision, Everett turns a boyhood memoir into a neo-fugitive slave narrative thriller . . . a provocative, enlightening work of literary art ― The Boston Globe
[A] sly response to The Adventures of Huckleberry Finn . . . James both honors and interrogates Huck Finn, along with the nation that reveres it ― The Washington Post
Once you’ve picked up Everett’s James, a retelling of The Adventures of Huckleberry Finn, you’ll know that only Everett could take on the task of allowing Mark Twain’s character Jim to show what was missing from the original story ― The Los Angeles Times
Audacious. . . Everett [gives] Jim – who, we learn, prefers to be called James – his agency, letting his intelligence and compassion shine through ― Time
[Percival Everett is a] prolific genius . . . If anyone is poised to casually write a masterpiece that not only becomes instant canon but also sets a brush fire to the current ones it stands upon, it’s Everett. And that’s exactly what he’s done with James ― Elle
Everett's latest dazzling novel is a supplement and a rebuke, a corrective and a celebration of Mark Twain's [The Adventures of Huckleberry Finn] ― Scotland on Sunday
[James] abounds in satire and irony . . . Like Kafka, [Percival Everett] is capable at once of being scarily funny and chillingly serious ― The Herald
By recasting Twain’s flawed classic as a portrait of an enslaved man – in all the fullness of his courage, humanity and humour – Everett leaves a meaningful mark on American letters ― The Irish Times
The wit of the writing and the fascinating examination into the freeing power of language preserves the charm and action-packed adventure of [The Adventures of Huckleberry Finn], while cleverly – and at times harrowingly – deconstructing its flaws ― Irish Mail on Sunday