The long-awaited sequel to wolf hall and bring up the bodies, the stunning conclusion to Hilary mantel’s man Booker Prize-winning wolf hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, may 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors.The blacksmith’s son from putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private Army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing br>Henry’s regime to breaking point, cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With the mirror and the light, Hilary Mantel brings to a triumphant close the trilogy she began with wolf hall and bring up the bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and Past, between royal will and a common man's vision: of a modern nation making itself through conflict, passion and courage.
"Hilary Mantel was born in northern Derbyshire in 1952. She was educated at a convent school in Cheshire and went on to the LSE and Sheffield University, where she studied law. After university she was briefly a social worker in a geriatric hospital, and much later used her experiences in her novels Every Day is Mother's Day and Vacant Possession. In 1977 she went to live in Botswana with her husband, then a geologist. In 1982 they moved on to Jeddah in Saudi Arabia, where she would set her third novel, Eight Months on Ghazzah Street.
Her first novel was published in 1985, and she returned to the UK the following year. In 1987 she was awarded the Shiva Naipaul Memorial Prize for travel writing, and became the film critic of the Spectator. Her fourth novel, Fludd, was awarded the Cheltenham Festival Prize, the Southern Arts Literature Prize, and the Winifred Holtby Prize. Her fifth novel, A Place of Greater Safety, won the Sunday Express Book of the Year Award.
A Change of Climate, published in 1993, is the story of an East Anglian family, former missionaries, torn apart by conflicts generated in Southern Africa in the early years of Apartheid. An Experiment in Love published in 1995, is a story about childhood and university life, set in London in 1970. It was awarded the Hawthornden Prize.
Beyond Black was shortlisted for the Orange Prize.
She reviews widely for a range of newspapers and magazines, and is working on two new novels, one contemporary and one set in the late 18th century.
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Review
‘Hilary Mantel’s Wolf Hall novels make 99 per cent of contemporary literary fiction feel utterly pale and bloodless by comparison’ The Times
‘Hilary Mantel has written an epic of English history that does what the Aeneid did for the Romans and War and Peace for the Russians. We are lucky to have it.’ Sunday Telegraph
‘Very few writers manage not just to excavate the sedimented remains of the past, but bring them up again into the light and air so that they shine brightly once more before us. Hilary Mantel has done just that.’ Simon Schama, Financial Times
‘A masterpiece that will keep yielding its riches, changing as its readers change, going forward with us into the future’ Guardian
‘The most masterful story telling imaginable’ Graham Norton
‘The final book in the trilogy charts [Cromwell’s] inexorable downfall with the dark brilliance and profound humanity that makes it, like its forerunners, a masterpiece’ Daily Mail
‘Ambitious, compassionate, clear-eyed yet emotional, passionate and pragmatic, The Mirror & the Light lays down a marker for historical fiction that will set the standard for generations to come’ Independent
‘It’s the crowning glory of a towering achievement’ Mail on Sunday
‘This is a must-read’ Good Housekeeping
‘On closing the book I wept as I’ve not wept over a novel since I was a child . . . Mantel struck her spear against the flint of Thomas Cromwell, and lit such a candle in England as will never go out’
Telegraph, Sarah Perry,
‘A masterpiece . . . Mantel has redefined what the historical novel is capable of . . . Taken together, her Cromwell novels are, for my money, the greatest English novels of this century’ Observer, Stephanie Merritt