My Cousin Rachel
Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and then dies suddenly in suspicious circumstances.
Before long, the new widow - Philip's cousin Rachel - arrives in England. Despite himself, Philip is drawn to this beautiful, mysterious woman. But could she have masterminded Ambrose's death?
Review
She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality
No other popular writer has so triumphantly defied classification . . . She satisfied all the questionable criteria of popular fiction, and yet satisfied the exacting requirements of "real literature", something very few novelists ever do
From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca
Du Maurier is a storyteller whose sole aim is to bewitch and beguile. And in My Cousin Rachel she does both, with Rebecca looking fondly over her shoulder
In the same category as REBECCA, but an even more consummate piece of storytelling
From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca
Before long, the new widow - Philip's cousin Rachel - arrives in England. Despite himself, Philip is drawn to this beautiful, mysterious woman. But could she have masterminded Ambrose's death?
Review
She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality
No other popular writer has so triumphantly defied classification . . . She satisfied all the questionable criteria of popular fiction, and yet satisfied the exacting requirements of "real literature", something very few novelists ever do
From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca
Du Maurier is a storyteller whose sole aim is to bewitch and beguile. And in My Cousin Rachel she does both, with Rebecca looking fondly over her shoulder
In the same category as REBECCA, but an even more consummate piece of storytelling
From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca
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